![From a set of Illustrations for a documentary by Sarah Soal, about South African history.](https://freight.cargo.site/t/original/i/7db01415a936f8b0c58c4f43c28820ab0dffb28a26f7c93bc91e401f74d8b76f/7.jpg)
![From a set of Illustrations for a documentary by Sarah Soal, about South African history.](https://freight.cargo.site/t/original/i/4891bbea17d09cdff56e158033a4f9c556cfc95a85771d74347b68b5552665c9/6.jpg)
![From a set of Illustrations for a documentary by Sarah Soal, about South African history.](https://freight.cargo.site/t/original/i/ea12eeee4a6db3ccd0ca0afe8fe4176c8e6882c8e429a237e87b4f12bfe10329/5.jpg)
![From a set of Illustrations for a documentary by Sarah Soal, about South African history.](https://freight.cargo.site/t/original/i/63a77181deb72c4ff2a62a1d7a6eacbadfc9a472fa4d85abb693764aa4482137/4.jpg)
!['The future of Daqing' - Illustrations from a book to accompany designer Gangjian Cui's speculative work about the future of oil production in the Chinese city Daqing](https://freight.cargo.site/t/original/i/6f5f3ad3666de40531c47e95e926d4375820af00af8a34c9a853402006089d3a/3.jpg)
!['The future of Daqing' - Illustrations from a book to accompany designer Gangjian Cui's speculative work about the future of oil production in the Chinese city Daqing.](https://freight.cargo.site/t/original/i/52003d08f94ce0b20c78f79c6a00eb182228a9bbb0338341c5bdd7f783dc3af6/9.jpg)
!['The future of Daqing' - Illustrations from a book to accompany designer Gangjian Cui's speculative work about the future of oil production in the Chinese city Daqing](https://freight.cargo.site/t/original/i/1f7272b27ebc11a9db8c8746d6969d81dcfb3c62935af57985859f3b7a72cb33/1.jpg)
!['The future of Daqing' - Illustrations from a book to accompany designer Gangjian Cui's speculative work about the future of oil production in the Chinese city Daqing](https://freight.cargo.site/t/original/i/b1575fb0a2d556be030d561c0163cdee5ba932754ac52873d664013538ba0119/4.jpg)
DOCUMENTARY PROJECTS
2010 - 2019German-English Illustrator and Artist based in Brighton, UK
My work explores how illustration can be used as an active tool for understanding, interpreting and re-evaluating dominant narratives and discourse about historical events. How can illustration add to our understanding of history, how can it challenge it?
I am interested in exploring and highlighting the ways in which history is recorded, suppressed, remembered and distorted. I have become particularly interested in how meaning and underlying power structures contained within archival records can be interpreted through the act of drawing. Often working with archival artefacts and personal testimony, I create narrative sequences and visual essays that explore my own relationship to history.
I am interested in exploring and highlighting the ways in which history is recorded, suppressed, remembered and distorted. I have become particularly interested in how meaning and underlying power structures contained within archival records can be interpreted through the act of drawing. Often working with archival artefacts and personal testimony, I create narrative sequences and visual essays that explore my own relationship to history.